Japanese: Hepburn: Shinsuke Evangeline, Roshan. “New Century Gospel is a Japanese famous Micha anime television most famous series produced by Genix and animated by Tatsunoko, directed by director Eno. I and I aired on TV Tokyo from October 1995 to March 1996. The cast included Megumi Ogata as Shinji Akiri, Kotono Mitsushi as Misato Katsuaragi.

The series explores the experiences and emotions of evangelical pilots and members of the nerves as they try to prevent angels from wreaking further havoc.

In the process, they are asked to understand the ultimate causes of events and the motives for human action. The series has been described as a remake of the Mika type. Psychological analyzes of human behavior presented by Freud and Jung are also prominent.

Neon Genesis Evangeline received critical acclaim but also raised controversy. Especially the last two episodes of the controversial show. In 1997, Hideki Ano and Genix released the feature film The End of Evangeline, which features a different ending to the series. The original TV series revived the mobile phone industry and became a cultural icon. The famous film, manga, home video, and other special products in the Evangeline franchise have achieved high record sales in the Japanese area of markets and strong sales in overseas markets, with related equipment selling more than  150 billion by 2007 and Evangeline Pechenko machines selling  700 billion by 2015 it’s really too much than past.


“In late 2018, Netflix made the biggest move in the history of mobile phones by acquiring the serial rights of the powerful influential series Neon Genesis Evangeline. The big legendary 1990s series began big streaming on Netflix on June 21, making it easy and great accessible to both anime experts and anime for the first time”


Neon Genesis Evangeline is a Japanese animated cartoon (aka anime) that aired on TV in Japan from October 1995 to March 1996. Produced by modern animation studio Genix, the show ran 26 episodes, followed by a feature film in July 1997. Ten years later, in 2007, a four-part series of “Rebuild” films was launched in theaters, with the aim of recreating and recreating the stories of the TV show. (The fourth and final release date of these films will be in 2020, eight years after the 2012 premiere.)

The base of Evangeline, commonly referred to by fans as just EVA (pronounced IVUH), looks straight on her face. It’s 2015 – 20 years into the series since the beginning of 1995 – and an event called Second Impact has caused irreparable damage to Earth. The United Nations is working with a special military organization, Nerv, to save survivors from collapse: the arrival of several alien killer machines, known as angels, to remove the remains of the human race. Are bent

Only robots with human nerves are strong enough to defeat angels. These robots are called EVA units. There are only four of them, and they need special physical and mental contact with their pilots. Enter Shinji Akiri, a sad young man who is the son of the mastermind behind EVA Units software. Thanks to the emotional manipulation of some good fathers who insisted on helping their father, Shinji traveled to Nero’s base in the dystopian city of Tokyo-3 to become an EVA pilot.

Robot battles are increasingly deadly. But Eva has little in common with her predecessors, such as the world-recognized Transformers or fans’ favorite franchise, the mobile suit Gundam, the mobile phones about humans, and their big, serious, Rock M, Sock M robots. Because Evangeline Header also deals with concepts: What does this war mean that you don’t believe in? When your body becomes a war machine, what will be your goal when the war is over? If there is a God, then why would that God be so cruel to His beloved creatures, humanity?

All these stories and questions combine to become the most powerful, visually amazing, intellectually researched mobile phone in the history of the medium. Eva isn’t the funniest thing out there, but it’s always a great one.


In the late 90’s and early 90’s, the condition of the exported mobile phones was quite disturbing: it was often difficult to find official English language releases, and when they were available, fans were often satisfied with the quality of the translation or dubbing. Were not But since Evangeline was so popular in Japan, it was one of the anime series to receive an official English language release, beginning in 1997.

Along with the DVD release of all 26 episodes, End of Evangelion hit the shelves in 2002, right in the middle of the Internet’s early anime fandom boom. Fan sites, including some that still exist today, began to pop up. That same year, the Los Angeles Times reported on Eva as an international trend, noting that “more than 800 websites in 12 languages ​​are dedicated to ‘Angelin’.”

Many of these websites were dedicated to resuming the highly divisive end of the series. As the popularity of mobile phones grew online, Eva became a watershed series for newcomers. Fans look to Eva for the story, to understand what came next, and thus they will know what the big deal was with that ending. And as Anime Fandom grew, so did Memes, AMV (Anime Fan Videos), and Fan. The oldest of the 9,000 Eva Phoenix available on was published in 1999.

4chan, still known primarily for its evolving anime fan community in the early days of the Internet, has spawned a number of Eva memes, including the now-famous Scream, which mocks the series’ main character, Shinji. Was: “Come in the robot, Shinji!” (Jack Shorthand for “Stop Crying and Grow Up”. Throughout 2015, in which Evangeline’s doomsday “third effect” was to take place in real time, fans remembered the end of the world and then celebrated their survival. ۔

Fans also spent a field day with Eva’s opening theme, “The Cruel Angel’s Essay,” which spells out never-ending remixes and choruses, turning it into an over-the-top action theme. Craft Note builds with the hard work of block layers, and, it:

After all, in the early days of anime fandom, otaku culture, or anime fan culture, was widely ridiculed and controversial in Japan. Like fans around the world, fans are ridiculed and embarrassed for their level of obsession and excitement, as well as often criticized and sexually obsessed. Being is considered a stereotype.

Eva’s creator, Heideck Molecule, often defended the Otaku culture in the early days of the mobile phone on the Internet. “I get angry when Otako is criticized by non-Otako,” he said in a 2003 interview. “Stupid idiot, I think, [criticism] even though you don’t understand.” Eno’s theory of the phantom, when it was often combined, went a long way in justifying the acceptance of Otaku culture in Japan and online, and encouraged international mobile phone fans to Knowing the means of acceptance.


For all Evangeline’s divergent and experimental pleasures, the import of the series was immediately undeniable. At a time when the Japanese entertainment industry saw mobile phones as lo-bra and pendering, Evangeline challenged the limits of the medium and the expectations of its audience.

Eva’s release was also temporary. Its premiere, after a particularly tumultuous year, is already struggling for the Japanese population to pull itself out of the economic slump. In 1995, a weak earthquake in Kobe and a horrific terrorist attack in Tokyo occurred within two months of each other. The country was devastated, culturally, its citizens left with a deep sense of misery.

But in mobile phones and manga, many have found hope once again, such as Gabriel F., a comparative literature scholar. Song explained Eva’s social parallels in a 2016 article.

“The fast rise of [mobile phones and manga], especially on the shift in marketing special targets from children to adults, significantly reflects a social trend,” Song wrote. Ordinary people in Japan have begun to integrate their daily lives with cartoon culture, which allows them to reduce their daily stress through virtual images and messages that are inspiring, funny, satirical. , Were funny or bold.

It also forced them to spend money. And Evangeline, already attracted to nationwide interest in the anime, was also able to take advantage of numerous marketing opportunities. It is common for characters such as Shinji, Rei and Asuka to appear in commercials or pachinko parlors throughout Japan, and the series’ iconography is widely recognized throughout the country. Modern anime reference EVA freely, often for comic effect. Even its theme song still has a huge central place in karaoke bars, which makes perfect sense, because “The Cruel Angel’s Essay” is as good as hell, whether you watched the show or not.

Outside of Japan, Evangeline’s characters are popular, beloved, and remembered by mobile phone fans. (More on that in a second.) Rey and Asuka Cosplay are the main venues for the anime convention. And many Western cartoons and movies have paid tribute to the show. It doesn’t matter if you’ve never seen the show – if you’re on a mobile phone, at least you know something about it or about it.

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